Last year, when Dazed Digital spoke to the photographer/curator Laurence Von Thomaswho was releasing the second book of photographs from his blog If You Leave-the blog had little more than 3,000 followers. A year later, the numbers have hit 100,000, and Von Thomas is back in London to launch his third and final book - with a selection of the best images from 95 global contributors.

TheIf You Leaveblog started in 2009 as a platform for young photographers to submit their best work. The name, If You Leave, is inspired by three words Von Thomas scribbled down on a piece of napkin, and seems to have consequently become an apt guideline for the stream of submitted photographs, as they incorporate similar themes and aesthetics drawn from the title. Loneliness, vast landscapes, distance and intense expression have all been inevitably present on If You Leave over the years.

Dazed Digital: Tell us a bit more about this year’s selection. How is it different from previous books?


Laurence Von Thomas:I've learnt to always believe what my mom says is true when it comes to intuitive exploits... last year's selection was "more positive" than the first... she hasn't seen the new book yet. This said.. thank fuck there's no more comment box or she'd retort with a full blown Baudrillardian essay about colours and frequential energy.



DD: Can you list a couple of words or phrases that would characterise the selection?


Laurence Von Thomas:I'll leave that up to personal interpretation, but I would like to try and define the style of If You Leave, since it has often been asked and I never felt able to accurately respond. Me and Berlin-based photographer Lena Grass spoke about this during the summer and we felt there was a definite style/subculture going on and that maybe it was time to create some sort of manifesto and then give it an eccentric name... alas, in the absence of this glorious pamphlet, I think the term neo-romanticism might come close, since a lot of the imagery seems to relate to many of the characteristics of Romanticism in terms of mood, composition, theme or even technique. Turner and Friedrich return frequently as a source of inspiration.



DD: With so many submissions, is your selection just instinct based? Are there any guidelines?
Laurence Von Thomas:

There are no guidelines. I prefer it this way. My selection is not based on objective parameters, so it wouldn't make sense to dictate any.



DD: Do you know how many submissions you had overall?


Laurence Von Thomas:I had to look it up, but it seems over 4000 since the start of the blog, though I would say 1/3 of these are images I invited.



DD: I can’t help but notice there are a lot of soft coloured images of women in a certain type of mood. Do you think that is a natural reaction to the theme and title of the blog?


Laurence Von Thomas:Maybe I'm wrong, but it seems to me that, in general, women like to explore the visual in a different way (and at a different pace) than men. I think a lot of the photographs you refer to are in fact self portraits or images of close friends serving as study objects.



DD: Can you pick a song that would suitIf You Leave Vol III?


Laurence Von Thomas:Today it would be 'One more cup of coffee' (the White Stripes version). 

But over the last 2 years I've been putting together a playlist for each book launch. The list is a collection made out tracks from Spotify playlists by If You Leave photographers, so in a sense you could say it's the soundtrack to the book. 

Here's one for Volume III (though it seems to only show the first 30 tracks).




DD: You started If You Leave in 2009 on both Flickr and Tumblr. Have you sensed some kind of retreat from the Flickr community in general? Are artists moving to their own blogs, tumblrs, websites?


Laurence Von Thomas:Flickr has most definitely suffered some fall-back since Tumblr has boomed. For me personally, they have their individual qualities... Flickr still has many groups, is very useful as an archive and feels less curated, blogs work better chronologically or as a diary and a website still works well as a showcase.



DD: You mentioned this would be "the third and final instalment of If You Leave". Does that mean this is the last book for If You Leave? What’s next for the blog?


Laurence Von Thomas: I don't want to give the impression I'm milking it. I've been exploring the aesthetic you've come to expect of If You Leave for almost 4 years now, and while I still really enjoy it, it feels like it is time for something new. The blog will still run on and a few 'established' galleries, and more recently museums have been showing an increasing interest in the blog, but none of this will happen before the next season. Maybe we'll put on some sort of retrospective in combination with new images.

DD: 

Do you think If You Leave has influenced your personal photography? Or vice versa?


Laurence Von Thomas:Undeniably yes and yes.


DD: Any future projects you’ve been working on?


Laurence Von Thomas: I've been working withArthur-Frank, the publisher of If You Leave, and we have two magazines in the pipeline. One is purely visual reference, based on a pop-up project I ran during the summer. The second one is a heavily content-based concept. That’s all I can say for now! Maybe by this time next year I will publish some of my own work, take it on the road and hopefully combine it with a film project I've been working on for ages.

Books are available to pre-order online exclusively viaif-you-leave.tumblr.comand will hit London and UK stores by December 16th


cover image Matthew Lief Anderson

The Contemporary Wardrobe is a resource in the address book of every London stylist who gives a damn about their craft, its proprietor Roger Burton archiving an exhaustive collection of 20th century style and streetwear on packed floor-to-ceiling rails.

Now, as part of vintage clothing website Byronesque, Burton has shared previously unseen footage of Vivienne Westwood and Malcolm McLaren in conversation, the only time they were ever filmed together discussing their legacy, at punk exhibition Burton opened in 1993.

Westwood and McLaren's contrary contribution to youth culture in the 70s can't be overstated, their World's End shop Sex/Seditionaries changing the course of fashion through pieces seen here like the Anarchy shirt and Chicken Bones t-shirt – as relevant a cultural document of their time as anything you'll find in a glass case at a museum, these clothes are emblems of fashion at its most arrogant and ambitious.

Here, we run an extract from the footage of Westwood talking about punk rock and ideas.

"The real word, I mean apart from the word anarchy, of the punk rocks was this idea of 'destroy' and I think it was the most heroic attempt as an exercise to see if rock and roll really could live up to what rock and roll was supposed to be about. Malcolm once said to me 'rock and roll is the jungle beat that threatens the white civilisation.' And like I was saying at its sweetest, it's like 'see you later daddy and don't be square and everything.' But it is supposedly, according to people like Patti Smith who used to go 'peace and love, rock and roll,' if you're getting off on rock and roll, it's going to change the world in some sort of way.

Now looking back on it, I would say that someone like Sid Vicious was very intelligent, because he was saying 'I'm brain damaged, I don't have anything to say or to put in its place but I do want to destroy.' And what he did was an attack at the older generation to say 'we don't accept anything that you have to tell us, we don't accept any of your advice, we don't accept any of your taboos and we are going to put Swastikas on; you've mismanaged the world horrifically. And alright, maybe we can't do any better.'

...I don't have to say it in that way but it was like, you know, 'you've tried to put all your hypocrisy under the carpet but we're going to wear your hypocrisy on our back.'

...And I do say that the only subversion lies in ideas. Not even in ideas but in unpopular ideas, because popular culture is a contradiction in terms. If you think about it there wouldn't be any art if you had to go along with popular ideas, it's only the fact that art was unpopular that it ever was supported by an avant-garde and very few people that constitute something we call civilisation. Something the Greeks discovered really. You know it's a sceptical point of view, that I mentioned before, 'establishment' in inverted commas. What I mean is that the establishment is not a word written in stone. In fact establishment is something that uses the energy of the token rebels and, so it's something that changes according to how much it wants to soak up. And I myself prefer to ignore it and to sort of concern myself with the cultural crisis that we have. I mean everyone knows we're in the middle of an ecological disaster and I don't think that you can disassociate the cultural one from that.

I mean Hitler burnt books, but you don't need to do that anymore today, most people don't read them anyway. The only ideas are in books. You can't have a conversation with someone that hasn't read something, cause that's where ideas are."

ClickHEREto see the film of Westwood and McLaren in its entirety.