Tag: american

Fashion Roundup: Rihanna’s ‘Diamonds’ Remix and the Hits and Misses from American Music Awards 2012!

Lena Dunham lands her first major fashion magazine cover, featured on the cover of i-D’s “Wise Up” issue. The creator of hit TV series ‘Girls’ seems to be getting bigger and bigger in the fashion industry, featured on more covers than several super models this year with covers on ASOS Magazine, L Magazine and New York. Check her Miley-inspired chop! (MTV Style)

Christopher Kane parting ways with Versus. The Scottish designer states that he is really excited about the new direction for Versus, but his main focus right now will be on his own Christopher Kane label. Meanwhile it is said that Donatella Versace will design the brand's new line. (Styleite)

W Magazine’s new December issue will feature the extraordinary talented actress Marion Cotillard. After starring in blockbusters such as Inception, Midnight in Paris and The Dark Knight Rises, Cotillard stuns in a Christmassy ‘Red Hot’ appearance in an architectural red coat and metallic belt. (Huffington Post)

FashionTV and Diamonds go together like a wink and a smile, and that’s why we loved Rihanna’s ‘Diamonds’ single! But the new remix featuring Kanye West is a whole new level of music glitter. (Refinery 29)

The American Music Awards 2012 was one of the biggest events of the week, showcasing several great red carpet appearances, with a distinct sparkly golden theme worn by Heidi Klum, Taylor Swift, Elisha Cuthbert and Hayden Panettiere. Review the hits and misses of the awards ceremony. (CeleBuzz)

Closing our list of fashion highlights of the week, here is a great new video from R.E.M featuring Lindsay Lohan also directed by James Franco. R.E.M actually broke up around a year ago, but this new video ‘Blue’ was just released. In the video Lindsay poses in front of mega photographer Terry Richardson. Take a look:

Men’s fashion

Men's fashion 1966

Suits designed in 1966 by Aquascutum and Simpson-Daks, members of the British Menswear Guild. Photograph: Keystone/Getty Images

The growing variety in men's clothes has reached a point where the tailoring world talks of rival styles. In Britain, it is the Flare line; in Germany, the Flowerpot line; in America, it is the Ivy League. Named designers of men's clothes are conspicuously absent, particularly in Britain.

Whatever the designer's interpretation of what men (or, as often or not, their womenfolk) want in clothes, it is increasingly apparent that we are fast moving towards an "international" style. Of course, there will be variations: age modifications between, say, the "teenager," the "man about town" and the "professional man", plus national variations.

Just as Paris has had to fight to resist the challenge of Italy and America in women's fashion, so today Savile Row is making a stand to retain some claim for traditional British bespoke tailoring. Hence, the Flare line, London's first major attempt for a decade to introduce a revolutionary new style. Will it succeed?

This spring's version of the Flare line, first introduced a year ago, is modified to the point where it at least becomes a practicable proposition. It is essentially the marriage of a cavalry-type jacket, longish in length and flared, and semi-bell-bottomed trousers with turn-ups.

Combined with it is the growing emphasis on brighter colours, on bold checks for country and Italian-inspired stripes for town wear. Waistcoats pick up a single colour from woollen or worsted suiting and are further enlivened by a novel cut.

Already, Savile Row reports that some of London's bold pioneers are adopting and adapting the Flare line. It will need further modification, however, before the ready-tailored manufacturers attempt to market it on a mass scale. Which is probably why the bespoke tailors have plunged for it.

The continental Flowerpot style is slender-making. The emphasis is on freedom of movement. It appeals as much to the young man on the continent as to those who wish to hide middle-age spread.

The jacket is directly opposed to the British conception. It is short with natural sloping shoulders, narrow lapels and slim sleeves to give the arms more emphasis. The trousers hug the hips and have very narrow bottoms without the turn-ups.

A touch of continental logic: bespoke tailors now cut the trouser knee on slightly fuller lines; this, together with a lining from the knee upwards, prevents bagging.

In America, this same mood of casualness has been developed over the years from what the college students wore into what has become known as the Ivy League line. Extreme forms of the Ivy, popular with younger men, are similar to our Edwardian style.

Already an American version of the Flowerpot has appeared, known as the Continental. No doubt each country will adopt its rival's styles. It becomes harder and harder to spot a man's nationality by his clothes.

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