Tag: london

Claire Milner, Swarovski crystals for a diamond jubilee.

Claire Milner is what we could call a virtuose of light and color. After an amazing Marylin Monroe's portrait made of 65,000 Swarovski crystals, now she will reveal beginning of September a...

Karl 2012 Olympics capsule – at Selfridges.

Selfridges customers will be exclusively introduced to a temporary and dedicated KARL LAGERFELD space as the fashion house unveils a unique 'pop up store', in the heart of the 3rd floor within...

Jessica Zoob’s PASSION.

Next month we will have the London Olympic games, so you will probably visit the british capital during that time. There is not only sports in live, art too. So if you...

London Collections: Men (1)

YMC
What are the inspirations and references for your collection? A typical jumble of ideas inspired by vintage kimono prints, early 60s west coat surf and late 80s casuals all incorporated into an unstructured and relaxed silhouette
If you could give men one fashion tip what would it be? Shave your beard off, assuming you have one
What makes London such a brilliant fashion capital? London is a multicultural hotch potch of ideas without boundries
Photograph: YMC/Guardian

Fashion: Aloha Hawaii – in pictures

Fashion: Aloha Hawaii - in pictures

The classic tropical print is back this summer. The louder and brighter the better

Fashion Editor: Helen Seamons
Photographer: Heather Favell
Model: Danny Schwarz at Elite London
Grooming: Dina Catchpole at Soho Management using Krastase Homme Capital Force and Clinique
Photographer's assistant: Lee Grubb

Beauty spot: bright-red nails

red nails

Seeing red: go for broke in a violent shade of vermillion. Photograph: Observer

I've been looking for the brightest red varnish. One reminiscent of a honeymoon sunset, or the floor of A&E on New Year's Eve. One that blinds you with its very redness. I want a red with attitude, not a sultry red, or a mysterious red, but a red that stomps before you and screams about glamour. I want one that draws attention away from all the nonsense I'm spouting up there, taking the eye down here to where my hands are fluttering elegantly. Tom Ford's Scarlet Chinois (25, harrods.com) is a red turned up to 11. A single coat will do. Similarly, Revlon's Red Bikini (6.49, boots.com) is so bright you can almost hear it, and Dior's Red Royalty (18, 020 7216 0216) is rich yet eye-catching. You should see how nice my hands look. Man.

Alternatively

Rimmel in Ready Aim Paint! 3.69, rimmellondon.com Barry M Lady in Red 2.99, barrym.com Mavala in London 4.30, johnlewis.com Butter London in Come to Bed Red 12, butterlondon.com Diego Dalla Palma #18 10, tesco.com

Are British men ready to wear prints?

Prints for men, by D&G, Prada and Burberry Prorsum

Prints for men, by D&G, Prada and Burberry Prorsum.

Gather round, men: your plain shirts and discreet dark jeans are looking a trifle tired. This season, it's all about print. From Hawaiian shirts to floral Dr Martens, patterns are on everything. Not since the 1980s – when it was all about the Manchester indie-rave scene and Versace's baroque designs – has print in menswear made fashion headlines.

Cut to now and Prada is selling floral trousers that riff on golfing slacks and printed shirts that whiff of 1950s Americana. Topman's retro paisley-print catwalk pyjamas sold out in February. Clumpy Dr Marten boots have been given a floral print remix for Liberty. Burberry is backing tribal print trousers, GQ has included these in its patterned trousers spread this month while Zara is selling Aztec-inspired backpacks. To say that print is enjoying a comeback is an understatement.

As the rain pelted down Tuesday, Marks & Spencer reported that men are buying rather a lot of lemon-yellow and rose-pink chinos, and perhaps even more surprisingly, Hawaiian shirts. Tony O'Connor, head of menswear design at M&S, says that "Hawaiian and vintage-looking prints, even in this adverse weather, have gone off really well", helped no doubt by George Clooney pulling off a decent Hawaiian shirt look in The Descendants. (OK, he was in Hawaii at the time, but the point remains.) "Guys are buying into colour now," says O'Connor, "so print is the next logical step."

Gareth Scourfield, fashion editor at Esquire, thinks we're all going to be shocked at how enthusiastically men embrace print. "When the block colour look started to come in, I remember wondering if men would get it. But from a designer level right through to the high street, everybody started to do well with bold colour jeans and chinos." Scourfield thinks that menswear has been mostly pared-back since the 90s, so perhaps it's time for men to have "more fun with fashion".

Topman's flagship Oxford Circus store is rammed with a dizzying array of prints, from Aztec- to African-inspired designs, floral to 50s kitsch. "For the British male, wearing print still requires quite a lot of confidence," says Gordon Richardson, Topman's design director. "It works on holiday, on the beach. But in dull British weather, prints are more difficult."

Versace Baroque designs … Versace. Photograph: Versace

The weather doesn't seem to be worrying the buyers, though. Asos will offer 60 styles of printed shirt this season and next month rolls out 60,000 printed products. "I've never seen this much print in menswear before," says John Mooney, the company's head of menswear design. He reports that the look is a particular hit with the 18-to-mid-20s demographic. "These guys are confident and cocksure, and there's a massive trend for standing out from the crowd and impressing your peers."

So why now? "I think we were definitely in danger of menswear becoming a little bit dull," says Topman's Richardson. "We went through this period of smartening up, of heritage-inspired clothing. Then colour infiltrated chinos. So to look individual, you almost had to try to explore print in some way." Now it covers a range of Topman products from caps, bracelets and wallets to T-shirts, shirts, bags, belts, vests and knits.

River Island's menswear design manager Elizabeth Taylor thinks the look has its origins in the success of last season's patterned knits, such as ironic Christmas jumpers and busy Fair Isle styles. "Men are getting used to bolder designs," she says.

In London, there is also emerging momentum for printed men's fashion from both established fashion week designers, such as Jonathan Saunders and Christopher Kane, and up-and-coming names such as Agi & Sam and Kit Neale. For Agi & Sam, whose buzz catwalk collection for autumn/winter featured rooster and duck prints, print "gives your brand an immediate identity, and originality. It also feels like you have created everything."

Neale, whose work also caught the eye during London fashion week, based his autumn/winter collection around his dad's allotment. Cue jolly vegetable and insect prints on T-shirts, bomber jackets and jeans. Among his friends, he says, there is an enthusiasm for both 1980s Moschino and vintage Versace, both known as loud statement labels. "The current preppy look has dominated men's fashion for too long," he says. Last year's collaboration between H&M and Versace welcomed a new and enthusiastic audience to the brand's archive. Donatella then put classic Gianni-era Versace prints back at the heart of the label during the spring/summer men's show, including patterned trousers, a look also shown by Paul Smith and Burberry.

This element of the print comeback, though, is perhaps a harder sell. "I think the look will be a slow burn and probably take a season or two to filter down," admits Robert Johnston, associate editor of GQ. "I suspect the Burberry-esque batik prints will be the first to become popular. And it will be a long time before most men will feel brave enough to wear Prada florals."

But with the backing of the high street, it seems that print is a look with legs – even if those legs aren't likely to be covered in floral patterns any time soon.

"There are so many ways to do print," says Dan May, style director at Mr Porter. "It covers the most adventurous guys. Or you can just pop in a print scarf or a tie so you address the trend but in a minimalist way. That's really the beauty of print, you can hit it as hard as you like."

Bomber jacket sales surge as London 2012 Olympics boost sporty fashion

Justin Bieber,  Will.i.am and Jude Law in bomber jackets

Justin Bieber, Will.i.am and Jude Law in bomber jackets. Photograph: Rex Features

Thanks to stars such as Jude Law, Justin Bieber and Will.i.am and the influence of this summer's Olympics, retailers are reporting a surge in interest for the bomber jacket.

Luxury retailers and the high street have seen major interest from consumers despite the squeeze on personal finances, with styles in leather, jersey and technical fabrics all selling well.

The online retailer Asos has sold more than 5,000 bomber jackets in the past two months and recently ordered 20,000 more worth 1m for next season.

Topman has also had an "extremely positive reaction" to the jacket shape both in its larger stores and online. It plans to roll out more variations regionally in the coming weeks and will be building on its current range of 15 styles for autumn.

Robert Johnston, associate editor of GQ, said the appeal was simple. "It's express fashion," he said. "Bomber jackets are really easy to wear because you can just shove them on with jeans and a T-shirt. Plus they have pockets, which makes them practical."

Terry Betts, senior buyer for Mr Porter, flagged up their versatility. "They work well with chinos and denim, and create a clean silhouette accentuated by the fact they are fitted and stop at the waist," he said. They have the "wearability factor" said John Mooney, head of men's design at Asos. "There's something for everyone in the bomber jacket repertoire, whether you're a lad's lad or a fashion guy.".

Bomber jackets also have relatively ageless appeal, as shown by the celebrities who have taken to wearing them of late. Stacey Smith, menswear buyer for Matches, said: "Ryan Gosling in Drive last year proved they're not just for the twentysomething man."

Esquire has featured the look on its cover for the past two months. The May issue shows John Hamm in a seersucker style while the current cover has Michael Fassbender in a black leather Gucci version.

Betts said the bomber had evolved from a simple "utility garment in nylon", helping it reach a broader audience. "We have them in seersucker, linen, leather and even reversible versions," he said.

Reece Crisp, men's contemporary and design wear buyer at Selfridges, said the bomber had proved a hit because of strong performances across the board, from traditional varsity styles to luxury versions in leather by labels such as Alexander Wang.

But the bomber's popularity is also a reflection of a move in men's fashion towards sportier clothes, said Crisp. "Sportswear as an aesthetic is really having a moment and the bomber is a staple piece within that look.".

This sporty look has been seen in menswear from upcoming designer names at London fashion week, such as the increasingly influential Christopher Shannon, to powerhouse brands in Paris and Milan. Johnston said luxury sportswear was becoming "increasingly sophisticated".

One of the most influential collections for spring/summer 2012, by Louis Vuitton, featured designer versions of varsity jackets and sporty shorts made from expensive fabrics such as suede.

These are also selling well. Smith has seen a great response from customers towards statement bombers this season. "It seems men are more willing to explore bolder colours and textures when they are tempered by a sportier shape," she said.

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