Tag: photographer

Fromscouting rising young talents around the globe as always, including Serbian photographerMarija Strajnicshooting emotive snaps from her life, the NY-based, Ryan McGinley-assistingPeter Kaadenexploring alt porn, andJukka Ovaskainen's 90s depiction of the Finnish countryside- todocumenting girl skaters in our nativeLondon,Swedenand Denmark, it's been one hell of a journey with the most exciting new photographers we met this year.

Elsewhere, huge cult icons like the high-punk collagistLinder Sterling
spoke to us about her love of ballet in our extended interview, whilst everyone's favourite 'master' of the raw, over-exposed aesthetic,Juergen Tellerguided us through his Irene im Wald project created as a love letter to his mother. We dove headfirst into legendary 70s photographerWalter Pfeiffer's vivacious, colourful world, and met the celebrated feminine photographer/directorEllen von Unwerth, to speak about the erotic fantasy narratives of her personal project 'Do Not Disturb!'.

Our hugely popular Zine Watch series found the best in zine culture, bringing to light the tasteful food journal, The Gourmand,to the 62nd Floor'sartful nudity,Igor Termenon's titilatingGirls on Film, and thefive volume project, I Think We're Alone Now. Personal favourites included our meeting with the king of cut-up photography, John Stezaker, known for his manipulation of vintage images of forgotten film stars in bygone eras as he won theDeutsche Brse Photography Prize 2012
. Plus as the Curiosity Rover landed in August, all eyes were on Mars, including ours (#nerds) as we discovered rare NASA photos from the 1970s in London/Munich galleryDaniel Blau's exhibitionrestructuringdetailed photographs taken by the Mariner 4 and Viking 1 missions.

Last but not least, we ended things this year by bringing out the big guns with our favourite kinds of pics - MOVING ONES. We got afashion blogger, a certified GIF designer and a video artist to bring youGIF-mas! You're welcome.

Peter Kaaden

We meet the German-born, New York-based photographer working with Ryan McGinley who exploreshis love of nudity and alt porn

Juergen Teller: Irene im Wald

The photographer on the importance of family and going back to his roots

Q&A: Walter Pfeiffer

A peek into the private world of fashion's greatest underground photographer, as featured in the October issue of Dazed & Confused

Ellen von Unwerth

We speak to the international photographer about the fantasy narrative of her recent personal project

Last year, when Dazed Digital spoke to the photographer/curator Laurence Von Thomaswho was releasing the second book of photographs from his blog If You Leave-the blog had little more than 3,000 followers. A year later, the numbers have hit 100,000, and Von Thomas is back in London to launch his third and final book - with a selection of the best images from 95 global contributors.

TheIf You Leaveblog started in 2009 as a platform for young photographers to submit their best work. The name, If You Leave, is inspired by three words Von Thomas scribbled down on a piece of napkin, and seems to have consequently become an apt guideline for the stream of submitted photographs, as they incorporate similar themes and aesthetics drawn from the title. Loneliness, vast landscapes, distance and intense expression have all been inevitably present on If You Leave over the years.

Dazed Digital: Tell us a bit more about this year’s selection. How is it different from previous books?


Laurence Von Thomas:I've learnt to always believe what my mom says is true when it comes to intuitive exploits... last year's selection was "more positive" than the first... she hasn't seen the new book yet. This said.. thank fuck there's no more comment box or she'd retort with a full blown Baudrillardian essay about colours and frequential energy.



DD: Can you list a couple of words or phrases that would characterise the selection?


Laurence Von Thomas:I'll leave that up to personal interpretation, but I would like to try and define the style of If You Leave, since it has often been asked and I never felt able to accurately respond. Me and Berlin-based photographer Lena Grass spoke about this during the summer and we felt there was a definite style/subculture going on and that maybe it was time to create some sort of manifesto and then give it an eccentric name... alas, in the absence of this glorious pamphlet, I think the term neo-romanticism might come close, since a lot of the imagery seems to relate to many of the characteristics of Romanticism in terms of mood, composition, theme or even technique. Turner and Friedrich return frequently as a source of inspiration.



DD: With so many submissions, is your selection just instinct based? Are there any guidelines?
Laurence Von Thomas:

There are no guidelines. I prefer it this way. My selection is not based on objective parameters, so it wouldn't make sense to dictate any.



DD: Do you know how many submissions you had overall?


Laurence Von Thomas:I had to look it up, but it seems over 4000 since the start of the blog, though I would say 1/3 of these are images I invited.



DD: I can’t help but notice there are a lot of soft coloured images of women in a certain type of mood. Do you think that is a natural reaction to the theme and title of the blog?


Laurence Von Thomas:Maybe I'm wrong, but it seems to me that, in general, women like to explore the visual in a different way (and at a different pace) than men. I think a lot of the photographs you refer to are in fact self portraits or images of close friends serving as study objects.



DD: Can you pick a song that would suitIf You Leave Vol III?


Laurence Von Thomas:Today it would be 'One more cup of coffee' (the White Stripes version). 

But over the last 2 years I've been putting together a playlist for each book launch. The list is a collection made out tracks from Spotify playlists by If You Leave photographers, so in a sense you could say it's the soundtrack to the book. 

Here's one for Volume III (though it seems to only show the first 30 tracks).




DD: You started If You Leave in 2009 on both Flickr and Tumblr. Have you sensed some kind of retreat from the Flickr community in general? Are artists moving to their own blogs, tumblrs, websites?


Laurence Von Thomas:Flickr has most definitely suffered some fall-back since Tumblr has boomed. For me personally, they have their individual qualities... Flickr still has many groups, is very useful as an archive and feels less curated, blogs work better chronologically or as a diary and a website still works well as a showcase.



DD: You mentioned this would be "the third and final instalment of If You Leave". Does that mean this is the last book for If You Leave? What’s next for the blog?


Laurence Von Thomas: I don't want to give the impression I'm milking it. I've been exploring the aesthetic you've come to expect of If You Leave for almost 4 years now, and while I still really enjoy it, it feels like it is time for something new. The blog will still run on and a few 'established' galleries, and more recently museums have been showing an increasing interest in the blog, but none of this will happen before the next season. Maybe we'll put on some sort of retrospective in combination with new images.

DD: 

Do you think If You Leave has influenced your personal photography? Or vice versa?


Laurence Von Thomas:Undeniably yes and yes.


DD: Any future projects you’ve been working on?


Laurence Von Thomas: I've been working withArthur-Frank, the publisher of If You Leave, and we have two magazines in the pipeline. One is purely visual reference, based on a pop-up project I ran during the summer. The second one is a heavily content-based concept. That’s all I can say for now! Maybe by this time next year I will publish some of my own work, take it on the road and hopefully combine it with a film project I've been working on for ages.

Books are available to pre-order online exclusively viaif-you-leave.tumblr.comand will hit London and UK stores by December 16th


cover image Matthew Lief Anderson