Tag: space

Vianney Halter Deep Space, a 3 axis tourbillon coming from outer space!

Version française ici Vianney Halter is never conventional and shares through its watches its own universe. Again, his latest creation is surprising. Deep Space is a marine chronometer with a 3 axes tourbillon. Real...

Art on DMT

In the heart of Crackland, aka São Paolo’s notorious República district, where the streets seethe with drug addicts after a 10p hit of rock, video artist and photographer Supercondensador is living inside the scenes which his laconic, portentous works depict. Supercondensador’s debut film, ‘Aqui a Gravidade e Outra’ (Here the Gravity is Another) projected inside an installation of everyday detritus as part of an acclaimed group show in the city last year, recreates the kind of psychedelic experience that one can only have in the post-apocalyptic metropolis. 

Supercondensador’s rough-cut glitching technique and loops are combined with spectral beating drum refrains, recorded in a viaduct to emulate the noise of internal mental disturbance. It’s neo-shamanism, conjuring the space between life and death and underpins an ongoing shift in the iconography of psychedelia. Happy-clappers on LSD have been replaced with gold-toothed rappers and neon-sheathed Disney kids smoking DMT. It’s not art that needs to be interpreted intellectually, but felt subliminally. 

At the New York's Spring/Break Art Show a few short weeks ago, Dario Argento and DMT were top of the artists’ pinterests. Among 80 emerging artists exhibiting, New York-based, Mexican-born Aurora Pellizzi presented a psychotropic four-channel video piece, reminiscent of the “patterned grid world” Flying Lotus describes below. Pellizzi’s work has an unusual synaesthetic quality, each film a slow moving shot over painted fabrics. Combining digital and analogue effects, as well as traditional and modern ideas on the psychedelic aesthetic - recent works are inspired by visual experiences of indigenous artists taking Ayahuasca, brightly coloured renderings of spirits, trees, and animals. But they are also unusual in that their movement is important, yet they don’t lead anywhere, nor do they ever meet nor their patterns converge. Their non-linear narrative points to the same space summoned in Supercondensador’s portraits of modern psilocybin trips: the near-infinite, where ‘life and death are no longer opposed – one simply is, and the other, isn’t’. 

Diesel + EDUN Studio Africa: Uviwe Mangweni

South African photojournalist Uviwe Mangweni has a way of getting so close to her subjects that you can almost see them breathe. Having grown up in Cape Town, she now lives in the creative centre of Johannesburg where her focus is on documenting the places and moments that most people miss. One early project took her to the ex-mining town of Durban Deep - a run-down locale largely overlooked by cosmopolitan Johannesburg - where she spent a week with its people who scratch out a living with the most basic of amenities. More recently, back in the city, she took her camera to the dozens of hair salons in the business district to capture the hum and buzz of these social hubs. Dazed caught up with Uviwe to find out more about her work, what makes something catch her eye and where she wants to take her camera in the future. 

What drew you to using a camera to tell a story? 
Mostly being bored with life in my university days and just wanting to get out there and create something. A youthful restlessness I suppose. 

Who in the world of photojournalism are you inspired by and why?
To be honest I never aspired to be like anyone, I just did what I did because I felt like it. But when I began understanding the significance of photography, especially in South Africa, I began looking up to the legends like Peter Magubane and Alf Khumalo.

You often shoot in black and white - what drives that?
That usually comes in the editing process. I don’t know, maybe I have a bit of an old soul that wants to recreate the same depth and feeling we see in historical images. But I do shoot in color a lot too. 

There's a very intimate, relaxed quality to your photographs. Is that something you look to achieve?
Yeah, I try to capture people in their most natural way of being. I want to be invisible to them.

What was the idea behind your black hair salon series?
Black hair salons are all over the city of Johannesburg. It feels like there is literally one on every block. One day when I was doing my hair as I frequently do, I just thought about how they are huge part of the socio-economic landscape but they’re hardly captured or recognized.

What is about them that fascinates you?
One can't ignore those colorful murals used to advertise the salons. It's interesting cause they all depict international celebrities and hip hop artists and, a lot of the time, a hairstyle will be named after these celebrities. Also fascinated by how so many salons will occupy the same area in the CBD [the central business district] and almost all of them will survive as a business.

What was your eye drawn to when you photographed them?
I was drawn to the characters in the space at the time and how they interact with one another. There's always a little bit of drama or comedy in cases where the hairstyle did not come out the way it was supposed to.

Could you give a little background to the ex-mining town you photographed?
Durban Deep is an ex-mining town off Main Reef Road, West of Johannesburg. People who reside there are mostly migrants from neighboring cities and countries. They get on with life with no electricity and communal water pumps. It felt ghostly, a stark reminder of SA’s brutal past and how far we still have to go as a country in terms of real redistribution.

How did the town's inhabitants feel about you photographing them?
Initially people were uncomfortable, one would walk past and some people would shut their doors at the sight of a lens. But I kept going back and the more I related to them and explained what my mission was, the more they opened up. Just basic human decency and respect gets you a long way.

Are there other sides of Johannesburg you would like to document?
Yes, I would like to capture more stories that project the vibrance and rich creative culture in this city.

Where else would you like to take your camera in the future? 
(Laughing) I wanna take it everywhere.  But I need to get out more, spend more time on the peripheries of the urban environment. 

Did alien algae hit earth last month?

tommynease

When it comes to exploration and extra-terrestrial life, one of our biggest hindrances is how to investigate extra-terrestrial objects without risking contamination with Earthly matter. A perfect example is the presence of perchlorates (naturally occurring salts) in soil samples taken from Viking 1, a Mars vehicle, which landed on the Red Planet in 1976. This led scientists to believe that soil samples were contaminated, and voided the possibility of life on Mars. Three decades on, in 2008, the same chemicals were found in a completely uncontaminated sample taken by another Mars rover named Phoenix, spurring scientists to reassess their original findings.

In December of last year, a meteor shower occurred over Sri Lanka. Remains of one of the meteorites, which were apparently discovered near the village of Polonnaruwa, were sent to a laboratory to be studied. The Journal of Cosmology (a relatively fringey strain of online Science Journal) published a detailed paper on the findings earlier this month, entitled: “Fossil diatoms in a new carbonaceous meteorite”. The leading writer of this paper, Dr. Chandra Wickramasinghe, is head of the Buckingham Centre for Astrobiology at the University of Buckingham. He and his colleagues wrote that their findings “could be construed as unequivocal proof of [extra-terrestrial] biology.”

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Above: The Polonnaruwameteor

According to the paper, after extensive examination using an electron microscope, fossilised diatoms (a kind of algae) were found on these meteorite fragments. Fossilisation indicates that these diatoms cannot physically be a result of Earthly contamination. Diatoms are one of the most commonly found types of phytoplankton. They habitually form huge colonies, and as a key producer in the food chain, a discovery of extra-terrestrial diatoms would not only prove life exists in the solar system, but that it is a common occurrence.

However, afore-mentioned Dr. Wickramasinghe is apparently notorious for his unconventional beliefs. Alongside his mentor, the late Sir Fred Hoyle, Wickramasinghe aided the development of panspermia; the theory that life itself has existed eternally and evolved somewhere in the great unknown, before being transported from planet to planet via asteroids and comets. Panspermia is actually more plausible than it sounds, but Wickramasinghe’s adamance that things like the flu and SARS viruses also come from space quickly enable readers to understand why some may consider Wickramasinghe biased towards extra-terrestrial anything. Not to mention the fact that these findings, if broadly accepted, would directly validate his own theories about panspermia. He writes: “Since this meteorite is considered to be an extinct cometary fragment, the idea of microbial life carried within comets and the theory of cometary panspermia is thus vindicated.”

fossil

Above: The fossiled diatom

Things get progressively more questionable when one particularly skeptical astronomer (Phil Plait, in an article forSlatemagazine) who apparently nurtures an on-going feud withThe Journal of Cosmology, was so enthusiastic in his efforts to thwart these conspiracy theorists in lab coats, that he sent the paper to Patrick Kociolek, a professor of ecology and evolutionary biology at the University of Colorado. Kociolek made a number of severe blows to the paper, most catastrophic of which involved pointing out that there was “not any sign” of these diatoms being fossilised at all. He continues to note that all diatoms match those from known, Earth-bound species. Plait washes his hands of the matter by delivering the final bombshell: how are they even sure that this particular fragment of rock is from the meteor shower in question? Wickramasinghe and co. have left a sizeable hole in their research, where, aside from a scientifically vague chemical analysis, they provide no definitive proof that they’re studying a meteorite. Dr. Wickramasinghe claims to possess currently unpublished evidence that this object is non-terrestrial, but the question is begged: why was this not included in the original paper?

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Karl 2012 Olympics capsule – at Selfridges.

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